God who might be frantic, an Anupam Kher who lives in a haveli a Muslim lady cases is hers, and a Kalawati who exists just in dreams. There is additionally going ahead in Sanjeev Sharma’s Saat Uchakkey than meets the eyes and, yes in spite of the Censor’s complaints the ears. Filter through the misuse, those that have survived 90 cuts and a three-year sit tight for discharge, and the film is a delightful cut of life from that new pet frequent of producers, Old Delhi.
Be that as it may, it’s not the Old Delhi of just pigeon challenges, nearly sew houses and kite-flying, with Red Fort and Jama Masjid then again peeping into the great beyond. Sharma’s Old Delhi is somewhat about the old apparitions and new dreams which exist together here so naturally, one sustaining off the other, one fuelling the other.